Archive - Sep 1, 2010

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Total Control and The Death of a Work

          Being a painter is a lot like being a human being. Time after time, I approach a blank canvas with a preformed notion of how the painting is going to play out. From the beginning of the piece, I have this imagined end in mind, a completed painting that is daring and masterful- so I go about trying to control the process, directing the work towards this imagined end, totally unprepared for all the problem-solving inherent to the act of painting and intolerant of all those genius accidents/mistakes that ultimately make a painting successful. The painting is underway and I default into a total control freak. In reality, I have no better chance of steering the painting where I want it to go than I have of throwing a saddle on a grizzly bear and telling it to canter. It reminds me of Steve Buscemi’s character in Armageddon, riding the nuclear warhead- some things (most things) are simply too big for us to handle on our own.Read more